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Impending millennial celebrations are forecast on a film projection
of fireworks...Viewers are urged to pick up a " provision"
which on the surface seems free. Actually, these end-of-the-world
souvenirs are embedded with a reciprocal obligation to consider
issues of production and nationalism. As people move through
the space, the supply of kits is depleted in a production and
consumption countdown...Kathryn Walter's "kits" send
up a certain tourist trap fatalism. Her "provisions"
are fully loaded with the warm fuzzy felt of Canadiana...Armed
with this Y2K survival kit, we will march to the end when the
chariots thunder down into our eternal darkness of doomed technology.
Judith Doyle, text accompanying exhibition, 1999
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Here Walter continues her investigations into social history
and her interest in creating situations which engage the viewer
at the level of their own complicity. We are drawn into her
fictions which exploit our fears and desires as members of a
culture connected through interdependent technologies.
Caroline Langill, review in PARACHUTE magazine, 2000
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